Here’s part 1 of 2 of our set from Radio Integrated… the first portion of the recording is a nice DJ set from Alixr, so check it out as well. Our portion begins with an interview with Sean Ocean, so check the waveform for the low part about 2/3 in..

Alixr & Haptic Synapses radio integrated 1_29_10 by Disconnect

our band Haptic Synapses did a live show using 3 beatseqrs at Radio Integrated in alameda on january 29th, 2010. Our friend Donald Bell stopped by for a test drive and took some nice photos, which are here:

Please send me an email (steve at 3rl dot us) if you are interested in purchasing this beatseqr.

1. this is beatseqr serial number 6.
2. It is the 4th instance out of 5 in the version 3 series.
3. $299. Shippable today.

Or click here to fill out the web form

Welp, we had a blast at our live set in Alameda at Radio Integrated, as usual. They’re awesome. We really appreciate them inviting us out to play and so generously giving us some time for an interview, too. Here’s part 2 of 2. Part 1 should be showing up soon.

Haptic Synapses radio integrated 1_29_10 by Disconnect

Joel is an old friend of mine from back when I lived in southern California and was going out with friends to listen to excellent DJs and stay up all night. Joel was one of those DJs. He was a trusted guide during an age of exploration of both music and mind. That was in the early 90′s and we’d lost touch until fairly recently.  The internet makes it easy to reconnect, so I was really excited to see that he’s produced an awesome project for expressive musical performance that he’s calling AirDeck. Check out his website for all of the details: http://mojosdojo.com/

Behold:

What I love about this project is that he’s taken the concept beyond an initial first step of a direct manipulation input for tone control to being an abstract control for arbitrary expression. As you can see in the video, he starts off doing a lovely Star Trek theme excerpt, and then moves on to using the controls to manipulate the forward and reverse velocity of an audio sample for a DJ scratch type of control. It’s not hard to imagine a system like this being used by dancers, for instance, to collaborate with sound artists to create new types of hybrid performance art.

It’s the kind of thing science fiction movies told us the future would be like, but realized now.

exhibits 1 and 2: William Gibson’s Johnny Mnemonic (1995)

and Philip K. Dick’s Minority Report (2002)

The only difference being that the versions in the movies is fake, an Joel’s version is very real. Bravo, man!

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